In Search of the Wily Taro-Patch Fiddle
August 1st, 2007
A friend of mine was going through his old records and he found this sleeve from an old Edison record that has a brief description of Hawaiian music. It’s actually a pretty accurate and only slightly romanticized history but what caught my eye was the mention of an instrument called the taro-patch fiddle. (Click on the image to enlarge.) From the way the word is used it’s obvious the instrument is not a ukulele and since the sleeve was printed around 1915 it predates the introduction of the 8-stringed ukulele that Martin introduced around 1918 and called the taropatch. This article by Dan Scanlan suggests the taro-patch fiddle was a variation of the rajão, a five-string relative of the braguinha with a larger body. I’ve seen old, pre-1900 photos with musicians holding what look to be five-string ukes, so maybe those are taro-patch fiddles. In this short article by John King, though, he suggests that there were a number of instruments called taro-patch fiddles but he doesn’t describe them. So, what the heck was it?-MJS
Entry Filed under: Ukulele


1 Comment Add your own
1. Gary Peare | August 4th, 2007 at 4:57 pm
Michael,
Just got back from John King’s lecture in SF. He talked about the taro patch guitar as being the 5-string etc. as you noted above. He has that “taro patch fiddle” might be a desultory term meaning that instead of working, you were idling somewhere. “Fiddle” would therefore refer to a non-productive activity. So it might refer to both ukes and rajaos.
Ping John, I’m sure he can tell you more!
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