Update for Issue 3: Howe-Orme and Rick Turner
August 28th, 2006
In our 3rd issue, Rick Turner wrote a great introduction to Gregg Miner and Bob Devellis’ excellent article about Howe-Orme’s curious mandolin and guitars. In his introduction, Turner mentioned that Howe-Orme’s instruments were a big influence on his own sense of design. Here are a few recent guitars that Turner built that show that influence. “These are custom instruments,” Turner says. “But we are headed toward a standard line of acoustics based on these designs. The necks (except for the cedar/koa) are all tilting as per Howe Orme, the backs have graphite reinforced braces and there are flying buttress braces inside supporting the neck block. I’m also making side soundports a regular thing on this series of guitars. We’ll be showing some standard models at the NAMM show. I guess if Collings can make electrics, I can make acoustics!”-MJS
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Entry Filed under: Guitar, FJ Issue 3


1 Comment Add your own
1. David Neely | August 29th, 2006 at 8:52 am
There he goes again. Rick Turner is proving why he’s an absolute leader in the field of string instrument design and research. No one is more insightful than Rick whether it’s the nature of acoustic tone or advanced electronics. His work with Seymour Duncan launched the Dtar line of products and his Renaissance guitars are works of art.
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